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[Apr. 14th, 2007|01:28 pm]
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trans_comicgeek

[exaltedlaurals]
At lunch today, I tried to explain to my roommates that this community had been made. One of them just rolled her eyes and responded by saying, "I have never read a comic book in my life, and I pride myself on that." I love her, but the poor dear is just slightly misguided, yeah?

I can't really recall how or when comics came into my life. It probably had something to do with my cousin. He is three years older than me, so, of course, when I was growing up he was the shit. One year, he gifted some old Wolverine issues to me and my brother. I think that combined with the Fox animated X-Men series of the early nineties sealed my fate.


I feel like I took the route most people did. I feel for the X-Men franchise. I had an oblique relationship with the fandom until 1997 when Uncanny X-Men #350 was published. The words "oh snap" don't properly explain what went down in my pysche at age ten.  Previously, I had fallen for Gambit. I think it was something about the trickster with a past, but with the issue of his trial, I was sold. I stayed away from DC things because I thought they were a little White Hat v. Black Hat.

I was yard sale-ing with my mom one summer about this time, and we came across of a yard sale of a guy who was probably about the age I am now (early twenties). He just had a yard filled with comics that he was selling for like a quarter each. I didn't really know where to turn, so I didn't make the killer I could have today, but I decided I was never going to be that guy. In my head, his significant other had decided it was time to become adults and settle or something so the comics and what not had to go. Therefore, I take my action figures out of their boxes and let my comics become just a little less than mint condition. It's unlikely that A). I could permanently settle with someone who can't embrace the dorkiness of B). anyone would really want my crap, but it is my passive-aggressive way of protecting my horde of things.

Like most teenagers, I eventually found The Crow, and like most teenagers, I thought it was the most brilliant thing ever! Or maybe it was just that I had the expendable income to snatch up all the marketing that I could at comic shops and cons (I will admit, I was a little bitter when years later I saw things of that nature in Hot Topic. I was over my fixation, but still, I kind of thought something of the special was being taken away).

About six years ago, I fell in with a group that was filled with manga and anime freaks. I tried to get into it, but it never worked out so well. Yet about that same time, I found that there was a lot more than Marvel and DC (to some extent). I happened across Strangers in Paradise, Kabuki, and the titles of Vertigo. Neil Gaiman and his Sandman titles were probably the first wave quickly followed by the likes of Hellblazer, Preacher, and Transmetropolitan. I also about shit myself when I found out that my childhood Teenage Mutant Ninja Turtles were a shade different in their original incarnation. Since then I have been filling up nooks and crannies of my living spaces with these "profound" and "adult" titles while wondering while the X-Men just aren't the same (it was like I took my eyes away from the titles for one second, and then I came back and it was ... less than I had remembered).

I am also a huge sucker for action figures, and my roommates are constantly poking fun at me about it.

I find the creation of this community slightly serendipitous. I've just recently begun the first steps in what will be a long project in comparative literature concerning the idea of the hero starting with Homer's Odysseus and working with contemporary pop culture heroes. Considering the fact that I am just kind of an excitable nerd and less of a genuine collector or scholar, I think this may be a good resource, yeah? Regardless, I think this is gonna be fun.
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Comments:
[User Picture]From: [info]haughty_hottie
2007-04-14 09:37 pm (UTC)

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totally there with you on the crow.

i've written a lot of stuff about visual leitmotifs and hero/ine dynamics for gender studies classes i've had, and i always found it interesting that a good deal of it was applicable to comics.
[User Picture]From: [info]exaltedlaurals
2007-04-15 01:15 am (UTC)

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I have this great hope that comparative lit is going the same direction as musicology in that more "low culture" is being looked at. I mean, really, most folks get their lit through television, film, "pop" fiction, and comics. Seems like a lot could be gained from turning a critical eye at what the academy often sneers. Right now, I'm fighting through the argument that Marcuse made in Eros and Civilization concerning how heroes are bad, but, on the contrary, there can be role models(?) such as Orpheus and Narcissus. It's taking a lot of chewing over. It almost seems like a battle of semantics. However, when I saw Angela Davis, she made the, albeit brief because of the nature of her lecture, argument of important individuals being deified after they have been "defanged" and how that process can be damaging.

It just seems like if heroes are so innately repressive then there wouldn't be a logical reason for people to continue to create them and place such hope in them. If heroes were tools of a thanatoid society, why would we have such an attraction? The further I research into this, the more encompassing it gets. I gotta eventually try and nail it do so it can be properly handled in forty pages or else it'll be a three hundred page thesis!

What heroes have you looked at? I'd be curious to see what you came up with.
[User Picture]From: [info]haughty_hottie
2007-04-15 02:01 am (UTC)

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jeez, i can't think of anyone in particular, mainly i was defining television and movie characters in terms of archetypes, working within the definition of a hero as being "often simply an ordinary person in extraordinary circumstances, who, despite the odds being stacked against him or her, typically prevails in the end". a lot of my writing was meant to respond to freud and (post)feminist film theory (male vs. female gaze, visual pleasure, desire and objectification, etc.), or as a means to examine melodrama and cult media not otherwise specified.

in terms of gender theory, comics are interesting, that's really all i meant.
[User Picture]From: [info]homo_impetus
2007-04-15 02:44 am (UTC)

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Amen for sure to all that you said. It feels really similiar to my own love of comics. Everyone sneers at comics except the fanboys and lovers of pop culture. However, I do think they are one of the most legitimate and pervasive forms of literature in United States culture and have been for years - movies, TV and an overall pop culture and sub-culture domination, and I think this is witnessed more recently in TV writers who also write comics and vice versa. I think that the comic being today's episodic journey rings really true, so I think your project will work out great.

I was in maybe 5th grade when my brother got the original TMNT series came out. He and I were both pissed off when the "archie-ized" versions came out. And you reminded me that I accidentally left Garth Ennis off my fave writer list.
You should check out "New X-Men" by Grant Morrison. You would have to pick it up in trade paper backs because he finished his run on the series, but it was really great. Also, I love "Exiles" a lot.